Lots of paper, and a supportive childhood environment, allowed me to draw, and draw, and draw. Of course I loved transparent watercolor from the moment I touched it, however, now I know the enormous amount of time it takes to truly become acquainted with medium’s possibilities. I am still learning every day I paint.   I think an architectural design background gives me a special appreciation for painting buildings and places so my work focuses primarily on interpreting landscape subject matter.   For a landscape painter, watercolor is unique in its ability to quickly capture the fleeting light and weather conditions found outdoors. And, although I do paint in the studio, my preference is for experiencing a subject first hand. On site you can really see the subtle nuances present and fully employ the medium’s power for imparting mood and feeling. Even though painting outdoors is such a battle—humidity, bugs, onlookers, changing light conditions, etc.—the reward is quite worth the effort.   I believe that, because of the rushed life we inhabit, it is all the more important to celebrate and reflect upon the beauty that is around us. I particularly enjoy how a subject gets interpreted through a spontaneous medium like watercolor. How the flow and mix of colors on paper can represent and embody light and shade is truly remarkable. In fact, my focus is on expressing both the beauty of the subject and the beauty inherent in direct washes on paper. I hope my audience will share this appreciation too.